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About Me
- Professor Estevez
- 233 Bradley Hall ---------------------- Office hours: MW 12:30-1:45 ---------- estevem@sunynassau.edu
Resources and Journals
- American Film Institute
- Anthology Film Archives
- Bright Lights Film Journal
- Cahiers du Cinema
- camera obscura
- Cashiers du Cinemart
- cineACTION
- Cineaste
- Cinema History: a decade-by-decade overview
- Cinetext
- Feminist Film Theory
- Film Comment
- Film History Index
- Film Int.
- Film Literature Index
- Film Philosophy
- Film Quarterly
- Filmmaker
- George Eastman House: International Museum of Photography and Film
- Images: a Journal of Film and Popular Culture
- Jump Cut
- Millenium Film Journal
- MIT OpenCourseWare listings for film and literature studies
- moviediva
- Moving Image Collections Library of Congress
- Museum of the Moving Image
- Prelinger Archives
- Savage Cinema
- Screen
- senses of cinema
- Sight and Sound
- Strictly Film School
- The British Film Institute
- The Film Journal
- The Internet Movie Database
- The Motion Picture Production Code of 1930 (Hays Code)
- The Permanent Seminar on the History of Film Theories
- The Thinking Eye
- Vertigo: Independent Film Magazine
- Women in Cinema: A Reference Guide
Writers and Critics
- Andre Bazin
- Andrew Sarris
- B. Ruby Rich
- Colin MacCabe
- Dana Polan
- Darren Hughes
- David Bordwel
- Fred Camper
- Gerald Peary
- J. Hoberman
- Kaja Silverman
- Laura Mulvey
- Lotte Eisner
- Manohla Dargis
- Mas'ud Zavarzadeh
- Pauline Kael
- Peter Wollen
- Robin Wood
- Siegfried Kracauer
- Stephen Heath
- Teresa de Lauretis
- Vito Russo
Directors
- Agnes Varda
- Akira Kurosawa
- Alfred Hitchcock
- Ang Lee
- Atom Egoyan
- Barbara Kopple
- Bernardo Bertolucci
- Bruce Robinson
- Charles Burnett
- Chris Marker
- Christopher Nolan
- Dario Argento
- David Lynch
- Derek Jarman
- Don McKellar
- Douglas Sirk
- Dziga Vertov
- F. W. Murnau
- Federico Fellini
- Francis Ford Coppola
- Fritz Lang
- G. W. Pabst
- Gus Van Sant
- Guy Maddin
- Hal Ashby
- Hal Hartely
- Ida Lupino
- Ingmar Bergman
- Jacques Tourneur
- James Benning
- Jane Campion
- Jean Cocteau
- Jean-Luc Godard
- John Woo
- Jonathan Caouette
- Ken Russell
- Kenneth Anger
- Laura Mulvey
- Leni Riefenstahl
- Lina Wertmuller
- Luis Bunuel
- Margareth von Trotta
- Martin Scorsese
- Matthew Bright
- Maya Deren
- Michael Almereyda
- Michael Powell
- Monika Treut
- Nicolas Roeg
- Orson Welles
- Pedro Almodovar
- Pier Paolo Pasolini
- Rainer Werner Fassbinder
- Robert Altman
- Sally Potter
- Sergei Eisenstein
- Stan Brakhage
- Stanley Kubrick
- Terence Davies
- the Quay Brothers
- Todd Solondz
- Tomás Gutiérrez Alea
- Trinh T. Minh-ha
- Werner Herzog
- Wim Wenders
- Wong Kar-wai
Books for further reading
- Alexander, William. Film on the Left: American Documentary Film from 1931 to 1942
- Bazin, Andre. What is Cinema? Volume 1
- Beach, Christopher. Class, Language, and American Film Comedy
- Bordwell, David. Film Art 6/e
- Dyer, Richard. Heavenly Bodies, Film Stars, and Society
- Eisenstein, Sergei M. Film Form: Essays in Film Theory.
- Eisner, Lotte. The Haunted Screen
- Godard, Jean-Luc. Godard on Godard.
- Heath, Stephen. Screen Reader 2: Cinema & Semiotics: Cinema and Semiotics
- hooks, bell. race, sex and class at the movies
- James, David E. Allegories of Cinema: American Film in the Sixties
- Jameson, Fredric. The Geopolitical Aesthetic: Cinema and Space in the World System
- Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality
- Kuhn, Annette. Women's Pictures: Femninism and Cinema
- Lorence, James J. The Suppression of Salt of the Earth: How Hollywood, Big Labor, and Politicians Blacklisted a Movie in Cold War America
- MacCabe, Colin. Tracking the Signifier: Theoretical Essays: Film, Linguistics, Literature
- May, Lary. The Big Tomorrow: Hollywood and the Politics of the American Way
- Metz, Christian. The Imaginary Signifier: Psychoanalysis and the Cinema
- Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov.
- Mulvey, Laura. Visual and Other Pleasure
- Prindle, D. F. Risky Business: The Political Economy of Hollywood
- Rabinowitz, Paula. Black and White and Noir: America's Pulp Modernism
- Sharrett, Christopher, ed. Crisis Cinema: The Apocalyptic Idea in Postmodern Narrative Film
- Silverman, Kaja. The Subject of Semiotics
- Thompson, Kristin. Film History: An Introduction
- Walsh, David. Hollywood Honors Elia Kazan, Filmmaker & Informer
- Zavarzadeh, Mas'ud. Seeing Films Politically
I tried to view this video because I am big fan of Quentin Tarantino and Robert Rodriguez dual feature called Grind House and when i watched Grind House they made about 5 fake trailers that were things that Quentin and Robert came up with at the time. The trailers were supposed to be a fake. Then Robert decided to make my favorite trailer Machete into a actual film. So i figured i would share this url so if anybody is interested they could watch the video because on youtube it has been blocked by Twentieth Century Fox
ReplyDeletehttp://www.moviestrailer.org/machete-movie-trailer.html
The fake trailers i posted below are the rest of the ones that they played in the movie. So i figured i would share it with all of you because I thought they were interesting and some were funny
Werewolf Women of the SS
http://www.youtube.com/watch?v=vjMILfGPv6M&feature=related
DON'T
http://www.youtube.com/watch?v=6803Gu8tpuw&feature=related
ThanksGiving
http://www.youtube.com/watch?v=KKn7s4ADsi8&feature=related